Hollywood is following an old script: hide the crimes of Communism and pretend that Communists are ordinary people. MGB has remade the 1984 film Red Dawn, which described an invasion of the United States by Soviet forces allied with Cuban Communist troops and other allies.
When aliens invade Planet Earth, who else but the U.S. Marine Corps can save the day? That is the premise for this year’s action-packed film Battle: Los Angeles. Unrealistic? Of course. Predictable? Certainly. But entertaining? Without a doubt.
Matt Damon’s newest film, The Adjustment Bureau, questions the basis and validity of free will. Is man’s destiny truly in his own hands, or is his destiny in the hands of a higher power (God)? Is it one or the other — or both? The film also emphasizes the issues of sacrifice and liberty (but what is liberty — does it include trying to evade God’s plans for you?), marking it as yet another hit film to add to Damon’s lengthy roster.
Sunday night's 83rd Annual Academy Awards proved to be relatively entertaining. With a number of wonderful musical performances and compelling tributes, to the honoring of some worthy films, this year’s Academy Awards rightfully earned better ratings than in recent years.
If you prefer the charm of hand-drawn animation to the computer-generated sort, you’ll love The Illusionist. The primary character, an aging and outdated European magician named Tatischeff, plays one-night gigs traveling from town to town and country to country, often being cheated by his employers. Eventually he crosses paths with Alice, a teenager who plays at being grownup, and who believes him to be the magician he once was. Their ensuing adventure together is both humorous and haunting. The movie is enchantingly slow-paced, and the animation and sound styles create a nearly perfect stage for this character-driven story.