A recently released film, The Men Who Stare at Goats, is based on the 2004 book of the same title by Jon Ronson. Both incorporate actual events in the military intelligence community — psychological experiments used in the service of interrogation, brainwashing, and mind-control.
Ask a friend or associate, “Can you explain ‘cap and trade?’” More than likely you will be astounded at what a poor grasp (if any) he or she has of the subject, even though the future of our economy and even our country hinges to a large extent on whether or not cap-and-trade legislation passes or not. Without knowledge, our citizenry will not realize this innocuous phrase “cap and trade” really means government control of an ever diminishing energy supply and the rationing that must accompany any restrictive policy implemented.
Subtlety has never been one of filmmaker Michael Moore’s strong suits. And the latest offering from Hollywood’s pre-eminent leftist “documentarian,” Capitalism: A Love Story, is, like most of Moore’s work, about as subtle as a fuel-air bomb.