Subtlety has never been one of filmmaker Michael Moore’s strong suits. And the latest offering from Hollywood’s pre-eminent leftist “documentarian,” Capitalism: A Love Story, is, like most of Moore’s work, about as subtle as a fuel-air bomb.
Sad though it is, man has seldom had much trouble killing his youngest fellows. If the ancient Spartans perceived any imperfection in a child, for instance, they would “expose” him, which amounted to leaving the child somewhere, perhaps a hillside, to die.
This weekend I saw Angels & Demons, the controversial film directed by Ron Howard and based on Dan Brown’s book by the same name. The movie is a sequel to the equally controversial The Da Vinci Code, also directed by Howard and written by Brown.
The tag line for the new movie The International runs: "They control your money. They control your government. They control your life. And everybody pays." This resonates with many Americans who, regardless of where they fall on the political spectrum, sense at some level that there is an establishment — corporate and banking elites working together to influence national and international affairs, often at odds with the best interests of the country and its people.