Breaking Dawn, part one of the final installment of the Twilight movie saga, brought in $139.5 million in its major North American box office debut. The film, though essentially just a teen flick, proved satisfactory to its most avid fans — which is about all that can be expected from a series about a girl who chooses to love and wed a vampire.
It is predictable that J. Edgar takes a less than favorable approach to J. Edgar Hoover, founder and director of the Federal Bureau of Investigation (FBI). Hollywood never did embrace anti-communist stalwarts. However, this production’s treatment of Hoover is somewhat surprising seeing as it was directed by Clint Eastwood, typically a more conservative-minded presence in Hollywood. J. Edgar is expectedly an entertaining and engaging film, given the impeccable cast and direction, but its somewhat unfair depiction of Hoover undermines its overall quality.
When Janie Jones was featured at the Tribeca Film Festival, it was a hit, and it is not too difficult to see why. Focused on a blossoming relationship between a father and his daughter, and comprised of wonderful musical performances, the film is heart-warming, though predictable. However, some of the film’s content may make it unsuitable for younger audiences.
Since its launch on YouTube on September 26, the pro-life documentary 180, produced by Christian apologist Ray Comfort, has gone “viral,” receiving nearly 1.4 million views in just a little over one month. The 30-minute video features man-on-the-street interviews in which Comfort manages to change the minds of several “pro-choice” young people as he confronts them with undeniable parallels between Hitler’s Holocaust, which claimed the lives of over six million Jews, and America’s own abortion holocaust, which has killed more than 53 million babies in nearly 40 years.
Despite terrible reviews, Paranormal Activity 3, released last weekend, managed to break U.S. box office records. Initially, the third installment in the series seemed unworthy of The New American’s attention until it became apparent that there was something drawing moviegoers to fork over so many inflated dollars for a film that seemed at best uninteresting and at worst laughable. It turns out all the hoopla amounted to nothing: PA3 was spiritless — at least in the sense of dull as dishwater.