Republicans see rising oil and gasoline prices as an opportunity to score political points on President Obama. To be sure, Obama is partly responsible for the rise in world prices and could do something about it. The irony is that Republicans would emphatically oppose the one measure that would be most effective in easing the pressure on prices right now: defusing tension in the Middle East by taking the war threat against Iran off the table.
What made America one of the greatest nations on earth? Can its citizens rediscover that greatness before their nation is overcome by mediocrity, selfishness, and sin? In the new film Monumental: In Search of America’s National Treasure, premiering March 27 for one night in over 550 theaters nationwide, former Hollywood actor (now a Christian apologist) Kirk Cameron (left) takes a look back at the generations that founded America to determine what special characteristics they had that gave the nation its momentum toward greatness and prosperity. He also looks at where the nation stands today to try to determine if its people can reach back and re-embrace the qualities that made America a shining light for the world.
Spring is here, and all across America homeschool conventions are sprouting like mushrooms in virtually every state in the Union. And with each passing year, these mushrooms have grown larger and larger to the point where they require the biggest convention centers in their respective states. There are hundreds of vendors and exhibitors at these conventions offering a plethora of educational programs for parents seeking the best for their children, plus instructive workshops, and knowledgeable, charismatic speakers. It is wonderful to see how truly interested parents can be in the education of their children, browsing the vendor booths, asking questions, buying books and programs on a tight family budget without the help of the taxpayer.
Imagine that you and your family find yourselves in a potentially deadly situation in which an armed thug has entered your home in the middle of the night with the intent to rob your home and to physically harm, even kill, your loved ones. In a perfect world, you would defend your family by exercising your God-given (and constitutionally-recognized) right to self-defense by brandishing a firearm to scare off the criminal or, if necessary, to fire upon him to neutralize the threat that he poses, exerting the same deadly force he had intended to use upon you.
In the 39 years since the Roe v. Wade decision, almost three generations of women have had access to legal abortions. The newest pro-life movie, October Baby, explores the devastation caused by the then-unexplored effects of the 1973 ruling on the littlest victims, post-abortive mothers, and everyone else in the wake of this tragedy. No matter which side of the debate you take, this film is a touching story of the real-life consequences of abortion.
Imagine a dark world in which most of North America is destroyed and what remains is ruled by a totalitarian regime that represses any urge toward uprising by pitting children to fight against each other to the death. That is the premise of Suzanne Collin’s best-selling novel-turned-film, The Hunger Games, the first of a trilogy. Both the novel and the film have been highly popular among middle- and high-school students, as the plot delves into the world of tyranny and the mind of a heroine who is motivated by her survival instinct and her desire to help those in need, even at her own peril.
A few weeks ago, I read and reviewed Ilana Mercer’s Into the Cannibal’s Pot: Lessons for America from Post-Apartheid South Africa. A week or two after that, my grandmother passed away.
Considered in themselves, each of these events is entirely distinct from the other. But, interestingly, reflection upon the loss of my beloved grandmother has deepened my reflection upon the loss that Mercer relays in her book, the loss of her beloved homeland. Although the death of which Mercer’s compelling Cannibal is an account has occurred sometime ago, the fact of the matter is that it is a death that its author mourns, the death of a country—her country, her world.
Since the September 11, 2001 attacks by al-Qaeda terrorists on the United States, and the United States’ invasion of Afghanistan in 2001 and Iraq in 2003, vague invocations of “the Crusades” have gained a new relevance. Both sides of the conflict have sought to link the current series of wars to those of the Crusades — either by way of justifying or denouncing of their current course of action. History is one of the victims of the current conflict, as the much-maligned and ill-remembered Crusades have been recast time and again to serve various agendas.