Donald Trump, master of the deal, is right. The Republicans are stupid, not only as politicians but also as political psychologists. He criticized Paul Ryan for bringing up the subject of Medicare reform that the Democrats could use to turn the elderly against the Republicans. Their video of grandma being shoved over the cliff by Republicans is a stark indication of how the Dems will fight to win four more years for Obama.
When I hear today’s frequent calls for civility, I’m reminded of Rodney King’s plaintive appeal, “Can we…can we all get along?” After all, King was a thug but, when he made his statement, seemed wholly sincere. This means that most contemporary political figures who call for civility share one certain commonality with King.
Six above-the-fold headlines in the space of just three days speak volumes about the liberal-left’s campaign strategy leading up to Election Day 2012. All were widely reported, although they covered issues of lesser stature than the $14 trillion economic impasse-cum-sink-hole that dominates newscasts. This makes the six headlines all the more revealing of liberal Democrats’ end-game, no matter who technically wins the presidency or a few congressional seats.
Harry Potter and the Deathly Hallows: Part 2 proves to be an exciting culmination to the ever-popular Harry Potter book and film series. In this final installment, Harry, Ron, and Hermione continue their quest of finding and destroying Voldemort’s three remaining Horcruxes, which are responsible for the Dark Lord’s immortality. As Voldemort senses his reign of terror may soon come to an end, however, he grows increasingly dangerous. For Harry and all those at Hogwarts, the stakes are high. For moviegoers, these are all the makings for an exciting, thrilling, action-packed film that espouses important themes and leaves Harry Potter fans filled with a sense of satisfaction by the end.
To the voluminous body of evidence that the television and film industries are comprised of doctrinaire leftists determined to promote their political program via these media, we can now add Ben Shapiro’s recently released Prime Time Propaganda. This work is at once too long and too predictable, it is true. But in spite of its vices, it would be unfair to begrudge Shapiro the commendation for the service that he supplies — namely, a much needed reminder of the variety of typically subtle (and not-so-subtle) ways in which Hollywood routinely attempts to invite sympathy from consumers for causes that they would otherwise reject.