In the dystopian world of Divergent, everyone must choose one of five paths on their 16th birthday, and those who are deemed "Divergent" from the established system are in grave danger.
In its opening weekend, Mark Burnett and Roma Downey’s new Son of God film topped $26.5 million, to mixed reviews.
This Ain't Yo Daddy's RoboCop
Written by Eric Egan
In spite of some flaws toward the end, RoboCop is a fresh take on its 1987 predecessor and a perfect alternative to all the sappy romances that flooded the screens this weekend.
In Monuments Men, a rag tag team of art scholars turned soldiers attempt to rescue priceless artwork stolen by the Nazis. But the question naturally arises: Is the Mona Lisa worth a single life?
Lone Survivor, directed by Peter Berg and starring Mark Wahlberg, is a stirring testament to the brotherhood of our armed forces and well worth your time. Rated R for strong bloody war violence and pervasive language, it is not for the faint of heart.
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It’s impossible to surmise what J. R. R. Tolkien’s shade might think about the latest big screen adaptation of his fantasy corpus set in a fictional Middle Earth of elves, hobbits, orcs, and rings of power. But New Zealand director Peter Jackson’s latest cinematic tour de force, The Hobbit: The Desolation of Smaug, is undeniably a very different story than its simple, warm-hearted literary source material.
Saving Mr. Banks is a whimsical film chronicling the production of the highly acclaimed Disney movie Mary Poppins. It tells the true life story of Walt Disney and the efforts he made to convince the author of the popular Mary Poppins books to give him the movie rights. Overall, it is a heartwarming film that is likely to be enjoyed by most audiences, particularly those who adore Mary Poppins.
High-quality science fiction/action film Catching Fire burned up the box office in its opening weekend, and — unusually for a sci-fi film — drew a majority female audience. The movie grossed an estimated $161.1 million in North America and $307.7 million globally in its first weekend.
National Geographic Channel's docudrama Killing Kennedy presents a dual timeline — one depicting the presidency of John Kennedy and a parallel dramatization about the life of Lee Harvey Oswald, who, the Warren Commission concluded, killed the president.
The Fifth Estate is more like a documentary — without the context or the strict adherence to documentable facts — than it is an dramatization. It's not a bad film, even though it straddles the two worlds without fully embracing either genre.
Captain Phillips is a well-made drama about the real-life events that played themselves out on global television back in April of 2009. The audience already knows the outline of what happened before walking into the theater.